MIĘDZY POSTMODERNIZMEM A KLASYCYZMEM, CZYLI O FUZJI MŁODOŚCI I STAROŚCI W TEORII KULTURY. REWIZJA KANONU W SZTUCE "HӦLDERLIN" ALFONSA VALLEJO W ŚWIETLE TEORII LĘKU PRZED WPŁYWEM

Abstract

In one of his plays entitled Hölderlin Alfonso Vallejo establishes direct and indirectconnections with life and poetry of romantic poet Friedrich Hölderlin. We analyse traces one author in writings of another using the theory of anxiety of influence by Harold Bloom. The process of self-understanding and comprehension of the art leads, according to Bloom, through a number of stages: clinamen, tessera, kenosis, demonisation, askesis and apophrades. We try to detect techniques used by Vallejo in his artistic pattern and determine what are aesthetic and formal consequences of his endeavor.