АВТОБИОГРАФИЯ ДЛЯ МУЗЕЯ: ДИСКУРСИВНЫЕ ПРАКТИКИ ТОЖДЕСТВЕННОСТИ И САМОСТИ НАИВНОГО АВТОРА

Autor

  • Лидия Енина Уральский федеральный университет им. первого Президента России Б.Н. Ельцина https://orcid.org/0000-0003-2073-9948

DOI:

https://doi.org/10.34739/clit.2020.14.14

Słowa kluczowe:

identity, autobiographical text, subjective position, discursive practices

Abstrakt

The article is devoted to the study of discursive identity based on autobiographical texts written by Uralmashzavod employees in the 1970s. In her methodology the author draws on Michael Foucault’s theory of discourse and Paul Ricoeur’s idea of the bilateral nature of narrative identity. In an autobiographical discourse, identity practices construct the normative subjective position of official Soviet discourse. The practices of the self are considered in the aspect of confession and frankness. It is concluded that the subjective position in the discourse is simultaneously supported by the practices of identity, and shaken by the practices of the self.

Pobrania

Brak dostęþnych danych do wyświetlenia.

Opublikowane

2020-07-10

Jak cytować

Енина, Л. . (2020). АВТОБИОГРАФИЯ ДЛЯ МУЗЕЯ: ДИСКУРСИВНЫЕ ПРАКТИКИ ТОЖДЕСТВЕННОСТИ И САМОСТИ НАИВНОГО АВТОРА. Conversatoria Litteraria, 14(XIV), 161–169. https://doi.org/10.34739/clit.2020.14.14