Монтажный принцип в поэзии А. Ерёменко, или прогулка по металлургическим лесам

Abstract

The article concerns the lyrics by Alexander Eremenko and his large poem
“Facing the nature”, as well as literary polemics about the poet’s work. It is
shown in which way the montage principle underlying the poem helped the
author rearrange its parts into smaller lyrical pieces. Also the intertextual links of
A. Eremenko with N.Zabolotskij and other authors are traced.