Два фильма о советско-польской войне: этюд забвения советского киномифа

Abstract

The article examines the «birth», construction and deconstruction of
the artistic film image of the Soviet-Polish War, it conceptualizes various intellectual projects of the Soviet study and understanding of military operations in
the chronological framework of the events of 1919-1921. Two films «P. K. P.»
and «The First Horse» are analyzed. The process of transformation and subsequent social oblivion of the propaganda discourse of this military confrontation
are considered.